Buying a house in the Bernese Jura, a classic watchmaking region, and visiting various museums aroused my interest in large clocks. Further research and countless construction attempts brought me closer to the subject.
­With the help of Kurt Berger, Miki Eleta and Roland Wyss, I further deepened my knowledge and was finally bitten by the watch virus.
­As a designer, I have passionately developed a variety of jigs, gauges and special machines, with which most components can be manufactured in my workshop. All other suppliers and subcontractors are from Switzerland.
My background as a mechanic, further training in art and my bread-winning activity as a designer result in the Fischer language of form - an unagitated, timeless aesthetic for time measurement.